Imagine a world where the master of dark fantasy, Guillermo del Toro, has finally brought his lifelong passion project to life. After decades of waiting, his Frankenstein movie is now a reality, thanks to Netflix. But here's the shocking part: del Toro claims that this film 'closes the cycle' of his iconic style, and his next project will be a drastic departure from what we've come to expect from him. As he revealed in an interview with Empire, 'If you look at the lineage, from Cronos to The Devil's Backbone, to Pan's Labyrinth to Crimson Peak to this, this is an evolution of a certain type of aesthetic, and a certain type of rhythm, and a certain type of empathy.' He feels that he needs a change, but as he humorously puts it, 'you never know, the day after tomorrow, I may want to do Jekyll & Hyde, or whatever.' For now, though, his desire is to try something very different. But what does this mean for his fans, and what can we expect from his future projects? One thing is certain: del Toro's next move will be closely watched by the film community. And this is the part most people miss: the fact that he's been wanting to make a Frankenstein movie for decades is a testament to his dedication to his craft. As he embarks on a new journey, we can't help but wonder what inspired him to make such a drastic change. Was it the freedom to pursue an undiluted vision, or was it the desire to push the boundaries of his own creativity? Whatever the reason, one thing is clear: del Toro's decision to move away from his signature style will be a topic of debate among fans and critics alike. But here's where it gets controversial: what if his next project is not as well-received as his previous ones? Will his fans still support him, or will they feel betrayed by his decision to change his style? These are questions that only time will answer. Meanwhile, del Toro has teased one of his next projects, which will reunite him with Frankenstein star Oscar Isaac. The project, called Fury, promises to be a thriller with a dark and violent tone, similar to Nightmare Alley. As del Toro describes it, 'it's like My Dinner with Andre but with killing people after each course.' This sounds like a fascinating and unsettling project, and we can't wait to see how it turns out. Our own Chris Bumbray had the chance to see Frankenstein at the Toronto International Film Festival, and while he found it to be an impressive film, it wasn't quite the masterpiece he was hoping for. As he wrote, 'while I can't quite call this my favorite Frankenstein adaptation, I'll admit the overly drawn-out first half tested my patience.' However, he also noted that 'once the movie finds its footing, the second half is close to brilliant.' This mixed review has sparked a debate among fans, with some defending del Toro's vision and others criticizing its uneven pace. And this is the part that sparks the most controversy: the fact that del Toro has earned the privilege to pursue his undiluted vision, but the result is still imperfect. So, we have to ask: what do you think about del Toro's decision to change his style? Do you think it's a bold move, or a mistake? Share your thoughts in the comments below. As we wait for his next project, we can't help but feel a sense of excitement and trepidation. What will del Toro's new style bring, and will it live up to our expectations? Only time will tell, but one thing is certain: the film community will be watching his every move with bated breath.
