Unveiling the Myth: The Red Rogue's Legacy
In the world of theatre, some lives are simply too captivating to resist dramatizing. Such is the case with John Jones, a Welsh outlaw whose adventures could rival the most fantastical tales. From his escapades as an elusive criminal to his many nicknames, including the Welsh Houdini, Jones' story is a treasure trove of renegade spirit.
A Missed Opportunity?
Chris Ashworth-Bennion, a theatre critic turned playwright, takes on the challenge of bringing Jones' legend to life in his debut play. However, the result leaves a bit of a sour taste. The play, titled "The Red Rogue of Bala," begins in a pub, with Jones (played by Simon Holland Roberts) hiding out after a prison escape. He captivates the drinkers with tales of his heroic past, but the question remains: is he a reliable narrator?
The play's tone shifts unpredictably, from comedy to farce, and then abruptly to darkness. This tonal uncertainty leaves the audience uninvested, making it difficult to engage with the central puzzles of Jones' character and his place in the rebellion.
A Charismatic Rogue, but Flat?
Jones' character, while reminiscent of Rooster from Jez Butterworth's "Jerusalem," lacks the depth and charm of his literary counterpart. He is portrayed as a growling, mischievous figure, almost like a barefoot Falstaff, but his motivations remain unclear. The direction by Dan Jones fails to bring out the complexity of this renegade spirit.
Generic Comedy and Unconvincing Characters
The comedy falls flat, with characters like Reginald Jones-Bateman (Qasim Mahmood) feeling too generic. Reginald, the haughty English landowner, and the ineffectual police officer (Rhys ap Trefor) seem plucked from a dated sitcom rather than a compelling drama. The plot takes several outlandish turns, with a gun-wielding Reginald's party failing to capture Jones, and the police officer being mistaken for a badger in a sack, leading to an assault that raises more questions than answers.
Themes Lost in a Busy Plot
Cross-class romances and intrigues are hinted at but feel like mere plot devices. The themes of poverty and war are mentioned but fail to integrate seamlessly into the story. The set design by Mark Bailey, an evocative period pub, hints at the approaching Great War and the friction between classes. Reginald's mention of his time in India as part of the Raj draws parallels to the colonization of Wales, a theme that connects Jones to the land and his rebellious spirit. However, these themes are overshadowed by the busy plot and humor.
The Mythic Segue: Real or Ancient Spirit?
As the play segues into tragedy and myth, the audience is left wondering if Jones is a real-life outlaw or the spirit of the ancient Prince of Wales. This pivotal moment lacks the impact it deserves, with the powerful themes of outsider spirit and the nature of storytelling emerging only in fleeting glimpses.
And Here's the Controversial Part...
While "The Red Rogue of Bala" showcases glimmers of a powerful story, it ultimately feels like a missed opportunity. The play's failure to penetrate the myth of John Jones leaves audiences wanting more. Is it fair to say that this debut play could have done more justice to the legendary outlaw's story? What do you think? Share your thoughts in the comments below!
