The V/H/S/Halloween trailer is here, and it's shaping up to be one of the most anticipated entries in the horror genre. This latest addition to the found-footage horror anthology series has finally made its debut on Shudder, with a full-length trailer and a striking final poster dropping just days before its October 3rd release. Let’s dive into what makes this film so special—and why it’s sparking excitement among fans.
Since its 2012 launch, the V/H/S franchise has become a cult favorite, blending eerie real-life footage with twisted, supernatural tales. Its sequels—V/H/S/2 (2013), V/H/S: Viral (2014)—and spin-offs like SiREN (2016) helped solidify its place in horror cinema. After a brief hiatus, the series was resurrected by Shudder, which has now delivered a new V/H/S movie every year. From V/H/S/94 (2021) to V/H/S/Beyond (2023), the franchise has evolved while staying true to its roots. And now, with V/H/S/Halloween, the team is back with another Halloween-themed masterpiece.
This year’s film features a collection of interconnected stories, each directed by a different filmmaker. Bryan M. Ferguson (Pumpkin Guts) helms DIET PHANTASMA, while Casper Kelly (Too Many Cooks) brings us FUN SIZE. Micheline Pitt-Norman and R.H. Norman (Cosmetic) craft HOME HAUNT, and Alex Ross Perry (Her Smell) directs KIDPRINT. Paco Plaza ([REC]) takes on UT SUPRA SIC INFRA, and Anna Zlokovic (Appendage) handles COOCHIE COOCHIE COO. Each segment is a standalone horror tale, weaving together themes of fear, survival, and the spooky magic of Halloween.
Produced by Josh Goldbloom, James Harris, Roy Lee, Brad Miska, Steven Schneider, and Michael Schreiber, the film also includes Lewis Wardrop as a segment producer for DIET PHANTASMA. While the franchise has faced criticism for its repetitive formula, this entry seems to push boundaries with fresh ideas and creative direction.
But here's where it gets controversial: some fans argue that the V/H/S series has become formulaic, relying too heavily on the same tropes. Others believe it’s a masterclass in using found-footage to create tension. What do you think? Are you excited for V/H/S/Halloween, or does it feel like another entry in a long line of similar films? Share your thoughts below—because the best horror stories are the ones we discuss together.
